Like many American outsider-adventurers, Dorian “Doc” Paskowitz set out to realize a utopian dream. Abandoning a successful medical practice, he sought self-fulfillment by taking up the nomadic life of a surfer. But unlike other American searchers like Thoreau or Kerouac, Paskowitz took his wife and nine children along for the ride, all eleven of them living in a 24 foot camper. Together, they lived a life that would be unfathomable to most, but enviable to anyone who ever relinquished their dreams to a straight job. The Paskowitz Family proved that America may be running out of frontiers, but it hasn’t run out of frontiersman.
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TAYLOR PETERS (Matthew Broderick) is a television writer and producer working on a low-rated, little-respected half-hour sitcom. Taylor was probably destined for better things, but his compulsive gambling, recreational drug use and drinking problem (now under control) all conspired to throw his career off the rails several years back. Now all he does is play the horses, but does his best to keep his wife LORRAINE (Maura Tierney) in the dark about it. Unexpectedly, Taylor and Lorraine are called to Lorraine’s sister’s house to deal with a family emergency: Taylor’s twenty-year-old niece AMANDA (Brittany Snow) is living in Las Vegas where, it’s been recently discovered, she’s working as a prostitute. On their way home, Lorraine finds racing stubs in the glove compartment, and decides to leave Taylor. Lorraine decides not to come home. Taylor comes up with a plan: he’ll win back his wife’s affections and trust by going to Las Vegas, finding Amanda and delivering her to rehab in Malibu. And while he’s there, he vows, he won’t gamble a cent. Alas, the best laid plans…
“The film is about love, duty, loyalty, conscience… but there’s also self-preservation. Sometimes when we talk about violent situations, we talk about heroism but not enough about real humanity, not about the primal qualities we humans possess.” — Vadim Perelman Starring Academy Award®-nominee UMA THURMAN (Kill Bill) and EVAN RACHEL WOOD (Across the Universe, Thirteen), The Life Before Her Eyes is the new film from Vadim Perelman, the acclaimed director of House of Sand and Fog. The Life Before Her Eyes is an intense and visually evocative drama about the loss of youth, investigating how a single moment in time can define an entire life. Based on Laura Kasischke’s visionary novel, the story hinges on a pivotal confrontation: two high school girls held captive by a gunman and forced to make the terrifying choice as to who will live and who will die. The Life Before Her Eyes explores the reverberations stemming from the collision of past and future, reality and dream. Life can end in an instant—yet the echoes of possible futures remain inescapable. Moving backwards and forwards in time, it combines the dramatic intensity of Sophie’s Choice with the eerie mystery of a ghost story like The Others.
From Oscar-wining director Alex Gibney and producer Graydon Carter comes a probing look into the uncanny life of national treasure and gonzo journalism inventor Dr. Hunter S. Thompson. A fast moving, wildly entertaining documentary with an iconic soundtrack, the film addresses the major touchstones in Thompson’s life—his intense and ill fated relationship with the Hell’s Angels, his near-successful bid for the office of sheriff in Aspen in 1970, the notorious story behind the landmark Fear and Loathing in Las Vegas, his deep involvement in Senator George McGovern’s 1972 presidential campaign, and much more. Narrated by Johnny Depp.
From director Michael Radford (THE MERCHANT OF VENICE, IL POSTINO) comes FLAWLESS, a clever diamond-heist thriller set in swinging 1960s London. Demi Moore plays Laura Quinn, a bright, driven and beautiful executive at the London Diamond Corporation who finds herself frustrated by a glass ceiling after years of faithful employment, as man after man is promoted ahead of her despite her greater experience. Michael Caine is Hobbs, the nighttime janitor at London Diamond who is virtually invisible to the executives that work there, but over the years has amassed a startling amount of knowledge about how the company runs. Hobbs has his own bone to pick with London Diamond. Observing Laura’s frustration, he convinces her to help him execute an ingenious plan to steal a hefty sum in diamonds. But unbeknownst to Laura, Hobbs plans go even farther than he’s let on, and together they set in motion a thrilling heist of dizzying proportions, the likes of which London has never seen.
ROMULUS, MY FATHER is based on Raimond Gaita's critically acclaimed memoir. It tells the story of Romulus, his beautiful wife, Christina, and their struggle in the face of great adversity to bring up their son, Raimond. It is the tale of a boy trying to balance a universe described by his deeply moral father, against the experience of heartbreaking absence and neglect from a depressive mother. It is, ultimately, a story of impossible love that celebrates the unbreakable bond between father and son.
In America, we define ourselves in the superlative: we are the biggest, strongest, fastest country in the world. We reward speed, size and above all else: winning – at sport, at business and at war. Metaphorically we are a nation on steroids. Is it any wonder that so many of our heroes are on performance enhancing drugs? From the producers of Bowling For Columbine and Fahrenheit 9/11 comes a new film that unflinchingly explores our win-at-all-cost culture through the lens of a personal journey. Blending comedy and pathos, BIGGER, STRONGER, FASTER* is a collision of pop culture, animated sequences and first-person narrative, with a diverse cast including US Congressmen, professional athletes, medical experts and everyday gym rats. At its heart, this is the story of director Christopher Bell and his two brothers, who grew up idolizing muscular giants like Hulk Hogan, Sylvester Stallone and Arnold Schwarzenegger, and who went on to become members of the steroid-subculture in an effort to realize their American dream. When you discover that your heroes have all broken the rules, do you follow the rules, or do you follow your heroes?
Isaac Knott (Nick Stahl) is a Public Radio reporter in New York City. When he was eight, his mother and father died in an automobile accident that left him in a wheelchair. On air, Isaac recounts how he recently received an anonymous tip from someone identified only as "Ancient Chinese Girl." She tells him a perfectly able-bodied man walked into an emergency ward downtown, and attempted to bribe a doctor into amputating his leg. As Isaac investigates the eerie tip, he encounters Fiona (Vera Farmiga) who, through her own quandary, leads Isaac to a netherworld of people afflicted with a perverse desire to be disabled. Like a contemporary noir detective film, QUID PRO QUO follows Issac as he embarks on a dream-like journey to pull back the layers of what makes people feel whole.
On August 7th 1974, a young Frenchman named Philippe Petit stepped out on a wire illegally rigged between New York's twin towers, then the world’s tallest buildings. After nearly an hour dancing on the wire, he was arrested, taken for psychological evaluation, and brought to jail before he was finally released. Following six and a half years of dreaming of the towers, Petit spent eight months in New York City planning the execution of the coup. Aided by a team of friends and accomplices, Petit was faced with numerous extraordinary challenges: he had to find a way to bypass the WTC’s security; smuggle the heavy steel cable and rigging equipment into the towers; pass the wire between the two rooftops; anchor the wire and tension it to withstand the winds and the swaying of the buildings. The rigging was done by night in complete secrecy. At 7:15 AM, Philippe took his first step on the high wire 1,350 feet above the sidewalks of Manhattan… James Marsh’s documentary brings Petit’s extraordinary adventure to life through the testimony of Philippe himself, and some of the co-conspirators who helped him create the unique and magnificent spectacle that became known as “the artistic crime of the century.”
The new film from acclaimed and adventurous French filmmaker Olivier Assayas, BOARDING GATE is an erotic noir-thriller boasting an exciting international cast. Asia Argento plays sexy ex-prostitute Sandra, who is forced to flee London after a steamy S&M encounter with a debt ridden ex-lover (Michael Madsen) ends in violence. Fleeing to Hong Kong in search of a fresh start, she becomes involved with an attractive young couple, Lester (Carl Ng) and Sue (Kelly Lin), who promise to help her obtain papers and money. But nothing turns out as expected for Sandra, and she finds herself trapped in a sordid game of manipulation. An Official Selection of the 2007 Cannes Film Festival.
Jamie Bell is Hallam Foe, a troubled young man whose knack for voyeurism paradoxically reveals his darkest fears, and his most peculiar desires. Driven to expose the true cause of his mother’s death, he instead finds himself searching the rooftops of the city of Edinburgh for love. Featuring a lively soundtrack with Franz Ferdinand, Sons and Daughters and Orange Juice among others, MISTER FOE is a darkly twisted, entertaining work of magical realism from one of the leading lights of the new Scottish cinema.
It’s New Year’s Eve in the city of Terminus and chaos is this year’s resolution. All forms of communication have been jammed by an enigmatic signal that preys on the fears and desires of everyone in the city. Told in three parts from three unique perspectives by three visionary directors, The Signal is a horrific journey towards discovering that the most brutal monster might actually be within all of us.