The highly anticipated sequel to one of the scariest films of all time, [REC] 2 picks up 15 minutes from where we left off, taking us back into the quarantined apartment building where a terrifying virus has run rampant, turning the occupants into mindlessly violent, raging beasts. A heavily armed SWAT team and a mysterious government official are sent in to assess and attempt to neutralize the situation. What they find inside lies beyond the scope of medical science—a demonic nightmare of biblical proportions more terrifying than they could have possibly imagined. Above all it must be contained, before it escapes to wreak havoc on the unsuspecting world outside.
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CENTURION is set during the war between Roman soldiers and Pict tribesmen during the 2nd century Roman conquest of Britain. Michael Fassbender stars as Quintus Dias, Roman centurion and son of a legendary gladiator who leads a group of soldiers on a raid of a Pict camp to rescue a captured general (Dominic West). The son of the Pict leader is murdered during the raid, and the Romans find themselves hunted by a seemingly unstoppable group of the Pict’s most vicious and skilled warriors, led by a beautiful and deadly tracker (Olga Kurylenko), and hell bent on revenge.
Alex Gibney (Enron: The Smartest Guys in the Room, Casino Jack and the United States of Money) delivers a visually arresting look at the crumbling façade of Sumo wrestling and exposes searing and violent truths about this ancient and revered sport. Morgan Spurlock (Super Size Me) offers up a buoyant and revealing angle on the repercussions of baby names. Rachel Grady and Heidi Ewing (Jesus Camp) balance levity and candor with their eye-opening profile of underachieving kids incentivized to learn with cold hard cash. Finally, Eugene Jarecki, who brought us the unforgettably powerful Why We Fight, investigates an unsettling theory to explain why crime rates dramatically dropped in the early '90s. Seth Gordon (The King of Kong) weaves the pieces together with brisk interludes, providing context and commentary from the authors. FREAKONOMICS exposes the hidden side of everything, debunking conventional wisdom, and revealing what answers may come if one just asks the right questions.
Barry Munday, a suburban wanna-be ladies man, wakes up in the hospital after being attacked in a movie theater, only to realize that he is missing one of his most prized possessions... his testicles. To make matters worse, Barry learns he's facing a paternity lawsuit filed by a woman he can't remember having sex with. With this being Barry's last chance to ever be a father, Barry reaches out and embraces the journey of parenthood and the onslaught of bumps that face him along the way. Filled with an ensemble of unusual characters, Barry Munday is the surprisingly heart-warming tale of a guy who finds it took losing his manhood to be a better man.
A sophisticated and moving comedy, THE EXTRA MAN follows Louis Ives (Paul Dano), a lonely dreamer who fancies himself the hero of an F. Scott Fitzgerald novel... When a deeply embarrassing incident forces him to leave his job at an exclusive Princeton prep school, Louis heads to New York City to make a fresh start. He quickly finds a nine-to-five job at an environmental magazine, where he encounters an entrancing, green-obsessed co-worker Mary (Katie Holmes). But it's Louis' new home life that really sparks his imagination. He rents a room in the ramshackle apartment of Henry Harrison (Kevin Kline), a penniless, wildly eccentric but brilliant playwright. When Henry's not dancing alone to obscure music or singing operettas, he's performing - with great panache - the duties of an "extra man", a social escort for the wealthy widows of Manhattan high society. These two men, separated in age by more than forty years, develop a volatile mentor/apprentice relationship. Through a series of urban adventures where they encounter everything from a leaping lion to a wildly jealous hirsute neighbor, from drunken nonagenarians to a shady Swiss hunchback, Louis and Henry form a memorable bond that bridges their differences.
The directorial debut of Oscar-nominated actor Casey Affleck, I’M STILL HERE is a striking portrayal of a tumultuous year in the life of internationally acclaimed actor Joaquin Phoenix. With remarkable access, I’M STILL HERE follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip hop musician. Sometimes funny, sometimes shocking, and always riveting, the film is a portrait of an artist at a crossroads. Defying expectations, it deftly explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.
When an elderly woman is viciously murdered in Oxford, her body is discovered by two strangers whose lives are immediately changed forever: Arthur Seldom (John Hurt), a prestigious professor of logic, and Martin (Elijah Wood), a young graduate student who has just arrived at the university hoping to be Seldom’s pupil. It quickly becomes clear that hers is the first in a series of increasingly bizarre murders, with each victim’s corpse marked by strange symbols. Professor and student join forces to try and crack the code, setting into motion an elaborate game with the killer with ever-increasing stakes. As Martin gets closer to the facts, he grows increasingly unhinged from his grasp on the world around him. Based on Guillermo Martinez’s award-winning novel, THE OXFORD MURDERS is an edgy and intelligent thriller from cult-favorite director, Álex de la Iglesia.
Six years ago NASA discovered the possibility of alien life within our solar system. A probe was launched to collect samples, but crashed upon re-entry over Central America. Soon after, new life forms began to appear there and half of Mexico was quarantined as an INFECTED ZONE. Today, the American and Mexican military still struggle to contain "the creatures"... Our story begins when a US journalist agrees to escort a shaken American tourist through the infected zone in Mexico to the safety of the US border.
Jacqueline Kennedy Onassis sued him, Marlon Brando broke his jaw and Steve McQueen gave him a look that would have killed, if looks could kill. To the celebrities he pursued, photographer Ron Galella was the beast who threatened beauty. As it turned out, he gave them a strange and lasting beauty they might never have known without him. Inherent in the story of this notorious paparazzo are the complex issues of the right to privacy, freedom of the press and the ever-growing vortex of celebrity worship. He sneaked around and invaded and bribed and held up his camera and shot till he dropped (or someone dropped him). His was the artistry of the sniper. Yet Galella found something essential in his real-life subjects, and he gave it permanence.
ONDINE is the story of Syracuse, a simple fisherman who catches a beautiful and mysterious woman in his trawler’s nets. The woman seems to be dead, but then she comes alive before Syracuse’s eyes and he thinks he may be seeing things. However, with the help of his ailing, yet irrepressible daughter, Annie, he comes to believe that the fantastical might be possible and that the woman (Ondine) might be a myth come true. Ondine and Syracuse fall passionately in love, but just as we think the fairytale might go on forever, the real world intercedes. Then, after a terrible car crash and the return of a dark and violent figure from Ondine’s past, hope eventually prevails and a new beginning is presented to Syracuse, Ondine and Annie.
In 1976, after years of mysterious absence, Marcus (Anthony Mackie, “The Hurt Locker”) returns to the Philadelphia neighborhood where he came of age in the midst of the Black Power movement. While his arrival raises suspicion among his family and former neighbors, he finds acceptance from his old friend Patricia (Kerry Washington, “Ray,” “Lift”) and her daughter. However, Marcus quickly finds himself at odds with the organization he once embraced, whose members suspect he orchestrated the slaying of their former comrade-in-arms. In a startling sequence of events, Marcus must protect a secret that could shatter everyone's beliefs as he rediscovers his forbidden passion for Patricia.
COUNTDOWN TO ZERO traces the history of the atomic bomb from its origins to the present state of global affairs: nine nations possessing nuclear weapons capabilities with others racing to join them, with the world held in a delicate balance that could be shattered by an act of terrorism, failed diplomacy, or a simple accident. Written and directed by acclaimed documentarian Lucy Walker (The Devil’s Playground, Blindsight), the film features an array of important international statesmen, including President Jimmy Carter, Mikhail Gorbachev, Pervez Musharraf and Tony Blair. It makes a compelling case for worldwide nuclear disarmament, an issue more topical than ever with the Obama administration working to revive this goal today. The film was produced by Academy Award® winner and current nominee Lawrence Bender (Inglourious Basterds, An Inconvenient Truth) and developed, financed and executive produced by Participant Media, together with World Security Institute. Participant collaborated with Magnolia on last year’s Food, Inc., recently nominated for an Academy Award®, and the upcoming CASINO JACK and the United States of Money. Jeff Skoll, Diane Weyermann, Bruce Blair and Matt Brown are the film’s executive producers.
Father and son Bill and Karl (real life father and son Bob and Robin Hill) have just been released from jail free and clear, but all is not well at Down Terrace. Patriarchs of a small crime family, their business is plagued with infighting. Karl has had more than he can take of his old man's philosophizing and preaching, and Bill thinks Karl's dedication to the family is seriously compromised when he takes up with an estranged girlfriend who claims to be carrying his baby. To make matters worse, there’s an unidentified informant in their midst that could send them all to prison for a very long time, and none of their associates can be trusted.
Immediately following the events of Diary of the Dead, SURVIVAL OF THE DEAD is the 6th film from George A. Romero to look at a world where humans are in the minority and the zombies rule. Off the coast of Delaware sits the cozy Plum Island where two families are locked in a struggle for power, as it has been for generations. The O'Flynn's, headed by patriarch Patrick O'Flynn (Kenneth Welsh) approach the zombie plague with a shoot-to-kill attitude. The Muldoons, headed by Shamus Muldoon (Richard Fitzpatrick), feel that the zombies should be quarantined and kept 'alive,' in hopes that a solution will someday be found. The O'Flynn's, who are clearly outnumbered, are forced to exile Patrick by boat to the mainland, where he meets up with a band of soldiers, headed by Guardsman Sarge (Alan Van Sprang). They join forces and return to the island, to find that the zombie plague has fully gripped the divided community. As the battle between humans and zombies escalates, the master filmmaker continues to reinvent the modern horror genre with wicked humor and pointed social commentary.
This portrait of Washington super lobbyist Jack Abramoff—from his early years as a gung-ho member of the GOP political machine to his final reckoning as a disgraced, imprisoned pariah—confirms the adage that truth is indeed stranger than fiction. A tale of international intrigue with Indian casinos, Russian spies, Chinese sweatshops, and a mob-style killing in Miami, this is the story of the way money corrupts our political process. Oscar-winning filmmaker Alex Gibney once again wields the tools of his trade with the skill of a master. Following the ongoing indictments of federal officials and exposing favor trading in our nation's capital, Gibney illuminates the way our politicians' desperate need to get elected—and the millions of dollars it costs—may be undermining the basic principles of American democracy. Infuriating, yet undeniably fun to watch, CASINO JACK is a saga of greed and corruption with a cynical villain audiences will love to hate.
: I AM LOVE tells the story of the wealthy Recchi family, whose lives are undergoing sweeping changes. Eduardo Sr., the family patriarch, has decided to name a successor to the reigns of his massive industrial company, surprising everyone by splitting power between his son Tancredi, and grandson Edo. But Edo dreams of opening a restaurant with his friend Antonio, a handsome and talented chef. At the heart of the family is Tancredi’s wife Emma (Tilda Swinton), a Russian immigrant who has adopted the culture of Milan. An adoring and attentive mother, her existence is shocked to the core when she falls quickly and deeply in love with Edo’s friend and partner Antonio, and embarks on a passionate love affair that will change her family forever.